By recounting his experiences of two formative concerts at Tivoli, essayist and performer Charlie Jermyn provides a poetic account on the raw power of sound and the music of everyday life. He connects the origin of noise music to Italian Futurism, a movement fascinated with dynamism and constant innovation, and appreciates the ongoing vitality of aging cultural icons amidst the decay of our time.

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

“Hello” I typed, and it felt like flinging sound into a cave, testing to see if someone was there in the dark, some being of an undetermined image. 

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Ginevra Petrozzi makes the case for a complicated relationship between ourselves and the artificial intelligence tools that guide us through our lives. The stories and myths we construct around the technologies we don’t understand can help us navigate the obscure and even violent power of artificial intelligence.

Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?

“Remember when on the internet no one knew you were a dog?"

“Remember when on the internet no one knew you were a dog?"

“Remember when on the internet no one knew you were a dog?"

“Remember when on the internet no one knew you were a dog?"

“Remember when on the internet no one knew you were a dog?"

“Remember when on the internet no one knew you were a dog?"

“Remember when on the internet no one knew you were a dog?"

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers. 

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”

Did you know that sequoia trees can grow taller than data centres can?
In the outskirts of Amsterdam, there are many of the latter, corrupting the horizon.

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”

Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”