“Hello” I typed, and it felt like flinging sound into a cave, testing to see if someone was there in the dark, some being of an undetermined image. 

I find a room in the basement and a room in the attic and while sifting through these rooms, I realise that the room of my dreams has always been a room to work in.

I find a room in the basement and a room in the attic and while sifting through these rooms, I realise that the room of my dreams has always been a room to work in.

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

By recounting his experiences of two formative concerts at Tivoli, essayist and performer Charlie Jermyn provides a poetic account on the raw power of sound and the music of everyday life. He connects the origin of noise music to Italian Futurism, a movement fascinated with dynamism and constant innovation, and appreciates the ongoing vitality of aging cultural icons amidst the decay of our time.

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”

Ilaria Obata takes a fresh look at the vast environment of the supermarket chain in this analytical essay. 

Ilaria Obata takes a fresh look at the vast environment of the supermarket chain in this analytical essay. 

Ilaria Obata takes a fresh look at the vast environment of the supermarket chain in this analytical essay. 

Ilaria Obata takes a fresh look at the vast environment of the supermarket chain in this analytical essay. 

Ilaria Obata takes a fresh look at the vast environment of the supermarket chain in this analytical essay. 

Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?

Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?