Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

now you tell me I remind you of a friend, but one that you can't seem to name

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Can the concept of hospitality provide us with a critical lens to explore what kind of relationships socially engaged art institutions can build online ?

“Remember when on the internet no one knew you were a dog?"

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Can the concept of hospitality provide us with a critical lens to explore what kind of relationships socially engaged art institutions can build online ?

Ilaria Obata takes a fresh look at the vast environment of the supermarket chain in this analytical essay. 

Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?

now you tell me I remind you of a friend, but one that you can't seem to name

Are the countless self-proclaimed ‘healers’ giving medical advice on TikTok quacks? Or are they a sign that witches* have reclaimed their space in the health field, reviving lost knowledge and offering the care that mainstream healthcare still fails to provide?

Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?

“Remember when on the internet no one knew you were a dog?"

Ilaria Obata takes a fresh look at the vast environment of the supermarket chain in this analytical essay. 

Can the concept of hospitality provide us with a critical lens to explore what kind of relationships socially engaged art institutions can build online ?

Can the concept of hospitality provide us with a critical lens to explore what kind of relationships socially engaged art institutions can build online ?

now you tell me I remind you of a friend, but one that you can't seem to name

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

Ilaria Obata takes a fresh look at the vast environment of the supermarket chain in this analytical essay. 

Ginevra Petrozzi makes the case for a complicated relationship between ourselves and the artificial intelligence tools that guide us through our lives. The stories and myths we construct around the technologies we don’t understand can help us navigate the obscure and even violent power of artificial intelligence.

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

I find a room in the basement and a room in the attic and while sifting through these rooms, I realise that the room of my dreams has always been a room to work in.

Ilaria Obata takes a fresh look at the vast environment of the supermarket chain in this analytical essay. 

now you tell me I remind you of a friend, but one that you can't seem to name

Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”