‘What are we if not a brief balance between actions that are not specifically human?’ For this Director’s Commentary, Lorena Solís Bravo weaves together biological research, poetry and queer sensibilities of care into a beautiful audio essay.

For this Director’s Commentary, Aukje Dekker reads the e-mail she wrote to Steve McQueen in 2016, and dives into McQueen's Dead Pan (1997), which in turn is a remake of Steamboat Bill, Jr. (1928) by Buster Keaton, of which her own DEADPAN is an reenactment.

Hsu Che-Yu secured the body of a dead rabbit from the animal research facility where his grandmother used to work in her youth. Together with scriptwriter Chen Wan-Yin and a glove puppeteer, they made the rabbit come alive– as imagined by humans.

In a beautifully timed spoken essay, Kévin dives into the theory behind the ever-shifting landscape he says he will continue developing over his whole life.

‘What are we if not a brief balance between actions that are not specifically human?’ For this Director’s Commentary, Lorena Solís Bravo weaves together biological research, poetry and queer sensibilities of care into a beautiful audio essay.

For this Director’s Commentary, Aukje Dekker reads the e-mail she wrote to Steve McQueen in 2016, and dives into McQueen's Dead Pan (1997), which in turn is a remake of Steamboat Bill, Jr. (1928) by Buster Keaton, of which her own DEADPAN is an reenactment.

Hsu Che-Yu secured the body of a dead rabbit from the animal research facility where his grandmother used to work in her youth. Together with scriptwriter Chen Wan-Yin and a glove puppeteer, they made the rabbit come alive– as imagined by humans.

Choreographed scenes based on documented folktales from Palestine.