Hanoi-based, self-taught musician Trần Uy Đức pairs up with multidisciplinary artist Rosanna Graf to make a video clip.

A new track and video clip from an artistic match made in heaven

By Remco Torenbosch

Nonlinearity is not just a collision of times, but an indifference to time

Femke from Brabant explores life in Rotterdam, attracting the detritus of memories and encounters like a magnet as they go. For this Director’s Commentary, Clementine Edwards and Alexander Iezzi have written a voiceover for a previously voiceless video.

A grilled cheese sandwich is sometimes used as a metaphor for an algorithm. Making a grilled cheese sandwich is so easy! It only takes a few simple steps, just like a basic algorithm.

When it loses its balance
Your mind is tired

Protecting the monsters of Madagascar from a second colonization

Elements which show in our dreams have their own meanings.

Sugyeong Lee finds meaning while trapped in the Happy Circuit.

The nightmare and daydream are both one step
before reality and they are about to end.

This was not a great day to wear the “Bonaire” bucket hat that I bought earlier that week in the souvenir shop.

Serim Kwack tries to coax her mother's conception dream of an AI image generator.

A Series of Melting Slices

A glitch in response to a prophecy

Sappho's sphere of Antiquity sends you back to a nostalgic world overwhelmed by a violent desire for unconditional love.

The internet is a place where nightmares and daydreams can be materialized.

A temporary screening of a work by British artist David Blandy, the guest on the fourth episode of our collaboration with Future Artefacts FM.

Hsu Che-Yu secured the body of a dead rabbit from the animal research facility where his grandmother used to work in her youth. Together with scriptwriter Chen Wan-Yin and a glove puppeteer, they made the rabbit come alive– as imagined by humans.

For this Director’s Commentary, Aukje Dekker reads the e-mail she wrote to Steve McQueen in 2016, and dives into McQueen's Dead Pan (1997), which in turn is a remake of Steamboat Bill, Jr. (1928) by Buster Keaton, of which her own DEADPAN is an reenactment.

"Define your 'perfect future' in positive and using the present tense (ex: not ‘I would like to do’, but ‘I do’). Imagine that you have reached your goal overnight: tomorrow morning, how do you realise that the transformation has taken place?"

‘What are we if not a brief balance between actions that are not specifically human?’ For this Director’s Commentary, Lorena Solís Bravo weaves together biological research, poetry and queer sensibilities of care into a beautiful audio essay.

We explore the minds behind our identity for The Couch, which is made by Belgium-based design studio Atelier Brenda, run and founded by Sophie Keij and Nana Esi. With a growing portfolio and many experiences in the art and music world, they are ready to conquer the world.

In anticipation of New HHHorizons, Het HEM’s second collaboration with HORST, Agrî Ibrahim sits down with  Woody92, Armia Yousefi and Arad Inbar ahead of the first instalment of their ever-expanding performance, Dooha Ritus.

In this special version of tɯ:nar tɯ:n:a:q ihijbit for our Director’s Commentary series, sata taas members speak to, or with, the video, invoking the solidarity between Indigenous peoples of the Arctic and the land, the spirits, animals and plants they share territory with. 

Curator, stylist and writer Leendert Sonnevelt interviews Brian d’Souza, who has made Genius Loci, the first commissioned artwork for The Couch. Sonnevelt and d’Souza discuss the development of the artwork, and what it reveals about the ‘spirit’ of Het HEM.

In a beautifully timed spoken essay, Kévin dives into the theory behind the ever-shifting landscape he says he will continue developing over his whole life.

"Het HEM’s layers of history flow into each other, so that it is no longer clear what is past and present." Photographer, artist and teacher Marcel Fraij visited our building and investigated the versatility of the site, questions of memory and remembrance, and the ambiguity of the space itself.