Ginevra Petrozzi makes the case for a complicated relationship between ourselves and the artificial intelligence tools that guide us through our lives. The stories and myths we construct around the technologies we don’t understand can help us navigate the obscure and even violent power of artificial intelligence.

Can the concept of hospitality provide us with a critical lens to explore what kind of relationships socially engaged art institutions can build online ?

By recounting his experiences of two formative concerts at Tivoli, essayist and performer Charlie Jermyn provides a poetic account on the raw power of sound and the music of everyday life. He connects the origin of noise music to Italian Futurism, a movement fascinated with dynamism and constant innovation, and appreciates the ongoing vitality of aging cultural icons amidst the decay of our time.

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

If the postmodern (digital) experience is a similarly disorienting experience to that of the modern flâneur, then is it possible to adopt the same approach to the web as to the city, where the mind can freely wander and transform?