"The question that piques my curiosity is not whether machines can exhibit human creativity, but rather to explore how human-machine interactions can lead to the development of aesthetics or epistemologies that are based on the combined agency of both entities."

Asa Horvitz unearths the many layers of GHOST: his poignant performance project on death and its presence among the living.

We explore the minds behind our identity for The Couch, which is made by Belgium-based design studio Atelier Brenda, run and founded by Sophie Keij and Nana Esi. With a growing portfolio and many experiences in the art and music world, they are ready to conquer the world.

In anticipation of New HHHorizons, Het HEM’s second collaboration with HORST, Agrî Ibrahim sits down with  Woody92, Armia Yousefi and Arad Inbar ahead of the first instalment of their ever-expanding performance, Dooha Ritus.

From September 2023 to February 2024, The Couch is hosting 4 episodes of the London-based radio show Future Artefacts FM. Together with the first episode, we sit down with the initiators Nina Davies and Niamh Schmidtke to give you the full story behind their radio show.

"If you look beyond their corporate functionality, these bodies are all going to the Earth to be repaired from damage by a system that never stops."

Curator, stylist and writer Leendert Sonnevelt interviews Brian d’Souza, who has made Genius Loci, the first commissioned artwork for The Couch. Sonnevelt and d’Souza discuss the development of the artwork, and what it reveals about the ‘spirit’ of Het HEM.

"I started thinking in an almost choreographic way about music inside this building as it moved from the basement out onto the factory floor and beyond." Couch curator Maia Kenney interviews Orpheu de Jong, Music Curator of Het HEM, in a deep-dive into Het HEM's music programme and its relationship with the building's architecture.

In 2022, researchers Pamela Jordan and Sergio González Cuervo brought their sonic archaeology project Re:Sounding to our site. "Het HEM presents potent questions, questions that wouldn't come up had we not been thinking about the space through sound, through our perception of it and the perception of the building’s original users."