In a beautifully timed spoken essay, Kévin dives into the theory behind the ever-shifting landscape he says he will continue developing over his whole life.

For this Director’s Commentary, Aukje Dekker reads the e-mail she wrote to Steve McQueen in 2016, and dives into McQueen's Dead Pan (1997), which in turn is a remake of Steamboat Bill, Jr. (1928) by Buster Keaton, of which her own DEADPAN is an reenactment.

‘What are we if not a brief balance between actions that are not specifically human?’ For this Director’s Commentary, Lorena Solís Bravo weaves together biological research, poetry and queer sensibilities of care into a beautiful audio essay.

In a beautifully timed spoken essay, Kévin dives into the theory behind the ever-shifting landscape he says he will continue developing over his whole life.

‘What are we if not a brief balance between actions that are not specifically human?’ For this Director’s Commentary, Lorena Solís Bravo weaves together biological research, poetry and queer sensibilities of care into a beautiful audio essay.

For this Director’s Commentary, Aukje Dekker reads the e-mail she wrote to Steve McQueen in 2016, and dives into McQueen's Dead Pan (1997), which in turn is a remake of Steamboat Bill, Jr. (1928) by Buster Keaton, of which her own DEADPAN is an reenactment.

Femke from Brabant explores life in Rotterdam, attracting the detritus of memories and encounters like a magnet as they go. For this Director’s Commentary, Clementine Edwards and Alexander Iezzi have written a voiceover for a previously voiceless video.

Choreographed scenes based on documented folktales from Palestine.