music
Singing To The Machine: Orpheu The Wizard
Rustan Söderling
essay
Are TikTok Healers Contemporary Quacks or Re-risen Witches*?
Are the countless self-proclaimed ‘healers’ giving medical advice on TikTok quacks? Or are they a sign that witches* have reclaimed their space in the health field, reviving lost knowledge and offering the care that mainstream healthcare still fails to provide?
essay
The mindless sc/troller
If the postmodern (digital) experience is a similarly disorienting experience to that of the modern flâneur, then is it possible to adopt the same approach to the web as to the city, where the mind can freely wander and transform?
essay
Mystics of the Chthulucene
Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.
essay
POV:
Ginevra Petrozzi makes the case for a complicated relationship between ourselves and the artificial intelligence tools that guide us through our lives. The stories and myths we construct around the technologies we don’t understand can help us navigate the obscure and even violent power of artificial intelligence.
Introducing a new mix series, where artists, selectors, and music geeks connect sounds to a broader and recurring artistic research theme that weaves through The Couch.
First up is Het HEM's music curator Orpheu de Jong under his DJ moniker Orpheu The Wizard:
"This mix consists of a selection of songs loosely revolving around the themes of Mystics of the Chthulucene, an artistic research project exploring the connections between magic and artificial intelligence. Some are linked only through title and sonic aesthetics, some in topics, and some purely associative. There are two songs from Music & Poetry of the Kesh, a 1985 album by Ursula K. Le Guin and Todd Barton, which documents the indigenous songs of an imaginary people from the Pacific Coast in a far distant future. Lee Gamble’s ‘XIth c. Spray’ contains haunting synthetic voices powered by machine learning. And in ‘Digital Ketjak’, Roberto Musci and Giovanni Venosta chop up recordings of Ketjak, a Balinese dance that has its roots in Samnghyang, a trance-inducing exorcism dance. Via titles like ‘Banshee Foam’ and ‘Dance of Electronic Neuron Circuits’, we end up with Miyako Koda’s ‘Butter’, in which an entity, likely a cyborg, ponders about what happens when being turned off, or as she says, dying once a day."
1. Ursula K. Le Guin & Todd Barton - Long Singing
2. The Fates - Who Am I (Furia)
3. Shiny Two Shiny - Ritual Hate (Waiting For Us)
4. Ursula K. Le Guin & Todd Barton - The Quail Song
5. Roberto Musci, Giovanni Venosta - Digital Ketjak
6. Lee Gamble - XIth c Spray
7. Star Searchers - Banshee Foam
8. Henry Kawahara - 電 子 ニ ュ ー ロ ン 回 路 の 舞 踏 (Dance of Electronic Neuron Circuits) (Third Mix)
9. Miyako Koda - Butter