Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?

Dasha Ilina tricks the search algorithms that might read her essay about algorithmic surveillance into thinking it’s just a recipe for a grilled cheese sandwich.

Confessions of a Cryodesiccated Fanfiction Entrepreneur From the Neolithic.

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

"The question that piques my curiosity is not whether machines can exhibit human creativity, but rather to explore how human-machine interactions can lead to the development of aesthetics or epistemologies that are based on the combined agency of both entities."

Ilaria Obata takes a fresh look at the vast environment of the supermarket chain in this analytical essay. 

“I love your face. I guess if I had to look at it every day, it wouldn’t be the worst.”

For the fourth episode of our collaboration with Future Artefacts FM, hosts Nina and Niamh talk with David Blandy. While revisiting his work, they explore the ends of multiple worlds, from family illness, the foundations of a political system shattering and the end of a 17 year old magical gaming world, Asheron’s Call.

A temporary screening of a work by British artist David Blandy, the guest on the fourth episode of our collaboration with Future Artefacts FM.

That was the top-rated post on Raising, the occult AI forum where Nessa had found the instructions to build Robin 3. Raising was an “occult” group as in secret and illegal uses of language models, not as in black magic, Nessa was pretty sure.

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers. 

Did you know that sequoia trees can grow taller than data centres can?
In the outskirts of Amsterdam, there are many of the latter, corrupting the horizon.

Old Child is a piece for soft voice and eerie sounds. It is an artifact of a certain time and place, as well as a tribute to the ghosts inhabiting it. An old child does not show interest in playing with their peers but prefers to spend their time listening to seniors talking about long-gone times.

In this podcast, a contextual performance by Cem A. (aka @freeze_magazine) and Roberto Winter, curators Lucia Pietroiusti and Nora Sternfeld debate an impossible question: should museums exhibit only living artists, or dead artists?