Can the concept of hospitality provide us with a critical lens to explore what kind of relationships socially engaged art institutions can build online ?

“Remember when on the internet no one knew you were a dog?"

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers. 

now you tell me I remind you of a friend, but one that you can't seem to name

'The bedroom is the locus of a becoming, spread out across multiple dimensions. Every night, as I close my bedroom door behind me, this process is set in motion, and every morning, just as it is about to become actualised, it disappears.'

Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”

Can the concept of hospitality provide us with a critical lens to explore what kind of relationships socially engaged art institutions can build online ?

“Remember when on the internet no one knew you were a dog?"

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers. 

now you tell me I remind you of a friend, but one that you can't seem to name

'The bedroom is the locus of a becoming, spread out across multiple dimensions. Every night, as I close my bedroom door behind me, this process is set in motion, and every morning, just as it is about to become actualised, it disappears.'

Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”

Can the concept of hospitality provide us with a critical lens to explore what kind of relationships socially engaged art institutions can build online ?

“Remember when on the internet no one knew you were a dog?"

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers. 

now you tell me I remind you of a friend, but one that you can't seem to name

By recounting his experiences of two formative concerts at Tivoli, essayist and performer Charlie Jermyn provides a poetic account on the raw power of sound and the music of everyday life. He connects the origin of noise music to Italian Futurism, a movement fascinated with dynamism and constant innovation, and appreciates the ongoing vitality of aging cultural icons amidst the decay of our time.

Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?

Rust, reinheid en regelmaat (peace, cleanliness, and regularity): the order and balance in both architecture and image make the arms factory on Bandung 'beautiful'.

“Hello” I typed, and it felt like flinging sound into a cave, testing to see if someone was there in the dark, some being of an undetermined image. 

Can the concept of hospitality provide us with a critical lens to explore what kind of relationships socially engaged art institutions can build online ?

“Remember when on the internet no one knew you were a dog?"

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

now you tell me I remind you of a friend, but one that you can't seem to name