Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Ilaria Obata takes a fresh look at the vast environment of the supermarket chain in this analytical essay. 

now you tell me I remind you of a friend, but one that you can't seem to name

'The bedroom is the locus of a becoming, spread out across multiple dimensions. Every night, as I close my bedroom door behind me, this process is set in motion, and every morning, just as it is about to become actualised, it disappears.'

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

Can the concept of hospitality provide us with a critical lens to explore what kind of relationships socially engaged art institutions can build online ?

“Remember when on the internet no one knew you were a dog?"

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers. 

now you tell me I remind you of a friend, but one that you can't seem to name

'The bedroom is the locus of a becoming, spread out across multiple dimensions. Every night, as I close my bedroom door behind me, this process is set in motion, and every morning, just as it is about to become actualised, it disappears.'

Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?

Can the concept of hospitality provide us with a critical lens to explore what kind of relationships socially engaged art institutions can build online ?

“Remember when on the internet no one knew you were a dog?"

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers. 

now you tell me I remind you of a friend, but one that you can't seem to name

'The bedroom is the locus of a becoming, spread out across multiple dimensions. Every night, as I close my bedroom door behind me, this process is set in motion, and every morning, just as it is about to become actualised, it disappears.'

Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?

Can the concept of hospitality provide us with a critical lens to explore what kind of relationships socially engaged art institutions can build online ?

“Remember when on the internet no one knew you were a dog?"

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers. 

now you tell me I remind you of a friend, but one that you can't seem to name

'The bedroom is the locus of a becoming, spread out across multiple dimensions. Every night, as I close my bedroom door behind me, this process is set in motion, and every morning, just as it is about to become actualised, it disappears.'

Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?

Can the concept of hospitality provide us with a critical lens to explore what kind of relationships socially engaged art institutions can build online ?

“Remember when on the internet no one knew you were a dog?"

Cthulhu – H.P. Lovecraft’s science fiction monster – lurks under the surface of the ocean as an elemental deity. We must wonder what lurks beneath the surface of the systems known as AI.

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers.