“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”

Confessions of a Cryodesiccated Fanfiction Entrepreneur From the Neolithic.

'The bedroom is the locus of a becoming, spread out across multiple dimensions. Every night, as I close my bedroom door behind me, this process is set in motion, and every morning, just as it is about to become actualised, it disappears.'

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers. 

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”

Ginevra Petrozzi makes the case for a complicated relationship between ourselves and the artificial intelligence tools that guide us through our lives. The stories and myths we construct around the technologies we don’t understand can help us navigate the obscure and even violent power of artificial intelligence.

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers. 

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers. 

“In the name of contemporary art, Spain has finally embraced the whitewash technique of the iconoclasts.“

I find a room in the basement and a room in the attic and while sifting through these rooms, I realise that the room of my dreams has always been a room to work in.

By recounting his experiences of two formative concerts at Tivoli, essayist and performer Charlie Jermyn provides a poetic account on the raw power of sound and the music of everyday life. He connects the origin of noise music to Italian Futurism, a movement fascinated with dynamism and constant innovation, and appreciates the ongoing vitality of aging cultural icons amidst the decay of our time.

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers. 

“Remember when on the internet no one knew you were a dog?"

Did you know that sequoia trees can grow taller than data centres can?
In the outskirts of Amsterdam, there are many of the latter, corrupting the horizon.

“Can I write about the balloon without attaching too much weight to it? Or is a balloon just a balloon; enough said?”

'The bedroom is the locus of a becoming, spread out across multiple dimensions. Every night, as I close my bedroom door behind me, this process is set in motion, and every morning, just as it is about to become actualised, it disappears.'

'The bedroom is the locus of a becoming, spread out across multiple dimensions. Every night, as I close my bedroom door behind me, this process is set in motion, and every morning, just as it is about to become actualised, it disappears.'

Charlie Jermyn was on a mission to discover the history of the North Sea resort town of Scheveningen. The essay tracks Charlie’s disorientating pilgrimage through a haze of mystical sea creatures, marshland, beached whales, kibbling, hungry gulls, and bungee jumpers. 

Ilaria Obata takes a fresh look at the vast environment of the supermarket chain in this analytical essay. 

“We can navigate the intricate workings of the planet without the need for absolute mastery, embracing uncertainty and opening ourselves to unexpected insights and interlocutors, be they human or more-than.“

Ginevra Petrozzi makes the case for a complicated relationship between ourselves and the artificial intelligence tools that guide us through our lives. The stories and myths we construct around the technologies we don’t understand can help us navigate the obscure and even violent power of artificial intelligence.

now you tell me I remind you of a friend, but one that you can't seem to name

Today, a walk in the museum is a walk with a camera. Is the hegemonic narrative of the exhibition questioned by the camera? Or does the camera become an accomplice to the museum?

now you tell me I remind you of a friend, but one that you can't seem to name

Ilaria Obata takes a fresh look at the vast environment of the supermarket chain in this analytical essay. 

Are the countless self-proclaimed ‘healers’ giving medical advice on TikTok quacks? Or are they a sign that witches* have reclaimed their space in the health field, reviving lost knowledge and offering the care that mainstream healthcare still fails to provide?

“Remember when on the internet no one knew you were a dog?"