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Alicia Borssén is a multidisciplinary artist and designer from Stockholm. Her work revolves around the human body & surrealism.
Deconstructing traditional notions of masculinity and conflict, exploring a fluidity in defence.
I am the city, I am a daughter of the city. Not the rain, neither the forest. Further from being the rainforest’s daughter.
Reflections on The Sims game and its entanglement in the mystification of an oppressive and recursive power system.
In what way is fading a means of internally & externally bending “dreams” beyond the black barbershop?
This was not a great day to wear the “Bonaire” bucket hat that I bought earlier that week in the souvenir shop.
A banana bread without Chiquita bananas and without a guilty conscience would taste even better.
Serim Kwack tries to coax her mother's conception dream of an AI image generator.
When we dream and interpret the dream, is it really a dream that predicts the future, or is our subconscious making us believe that the dream predicted the future?
A Series of Melting Slices
A glitch in response to a prophecy
Sappho's sphere of Antiquity sends you back to a nostalgic world overwhelmed by a violent desire for unconditional love.
When it loses its balance Your mind is tired
Protecting the monsters of Madagascar from a second colonization
Elements which show in our dreams have their own meanings.
Sugyeong Lee finds meaning while trapped in the Happy Circuit.
Two soundscapes contrast the silent, deep rest of the forest with its embedded life and knowledge against modern infrastructures of industry and transport that have allowed material, music and information to travel across man-made borders.
These are two playlists made for The Couch, based on different moods one may feel or seeks [during a daydream or after a nightmare maybe], mixing different eras and music movements.
In this podcast Phoebe Zoe Ho and Pia Gräwe open up an imaginary folder to talk about the negative emotions or painful experiences that we keep hidden from others.
Welcome to the Gaydreaming henny.
Credits for Asa Horvitz' GHOST
If artistic production (within the artworld) is tied to individual mystique and brilliance — then how the hell are we supposed to stand out if the Netherlands alone produces such a vulgarly deflating abundance of artists?
We talk to previous artist in resident and PAN label member upsammy for an in-depth interview, accompanied by a downloadable sample pack. "During our project, we focussed on ways of distilling the temporal and material qualities of the terrain and used these methods to make a composition."